Three things book cover design points out about books themselves
Three things book cover design points out about books themselves
Blog Article
Keep reading to find a few different concepts associating with the method we see book covers set beside their history.
When we purchase a book it becomes something extremely very personal to us. It can sometimes be unusual seeing a book you enjoy with a different book cover, simply since it is not your book. This personalisation, and indeed ownership, of books was at a totally various level at the dawn of the age of printing, with book covers being developed by the owners themselves, and what they believed would be the best books covers for the book. They would buy the book itself from the printer wrapped in paper, then bring it to a binder who would add in the covers to the client's specs. This normally suggested being clad in leather and after that etched with the name of the book, and, usually, the name of the book's owner. People like the co-founder of the impact investor with a stake in World of Books can probably appreciate the ownership that people come to feel in relation to their books.
When you really consider it, it is rather fantastic that a book's cover, no matter how beautiful it is, manages to stand so eloquently for something that is practically the complete reverse of its art format-- writing in white and black. In fact, book covers have been designed to reflect the emotional state of a book and attract its designated audience since the dawn of large scale publishing in the Victorian Age. Artists were charged with finding what makes a good book cover for specific individuals, or to put it simply, marketing. Individuals like the CEO of the asset manager that has a stake in Amazon can probably appreciate the role of marketing in designing book covers.
We love reading books because they are really beautiful things. This holds true, however the nature of beauty that we might be discussing is definitely separate to what we might be speaking about if we were speaking about, for example, the visual arts. Or is it? For as long as we have actually had books we have actually embellished them with beautiful book cover designs that effort to mirror the charm of what is within. This dates back for as long as the codex itself has been around, with medieval monks, those charged with the protection and duplication of the scarce texts that might still be discovered, ornamenting each hand composed text with amazingly rich and beautiful styles. In fact, such was the appeal held within these books that most of these creative book cover designs were sculpted into ivory or solid gold, studded with gems, and inlaid with rivers of rare-earth elements. People like the co-CEO of the hedge fund that owns Waterstones can probably appreciate the way that the beauty of these book covers was created to match the beauty within the book.